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Review: Batman: The Enemy Within

Ian dances with the devil in the pale moon light in Telltale's Batman: The Enemy Within. Will the Dark Knight rise again?

Review: 221B Baker Street

Peter reviews 221B Baker Street, an investigative game set in Victorian London with crossword-like puzzle solving.

Xbox One X: The First Six Months

After six months on the market, Jamie returns to offer insight on the Xbox One X and outlines some hopes for the future.

Review: Far Cry 5

Ian receives a one way ticket to Hope County, Montana to review Ubisoft's newest Far Cry iteration, Far Cry 5. It's time to repent, sinners!

Review: The Titan

At the end of the world, Ian signs up for The Titan program to review the latest Netflix science fiction thriller. Does it sink or swim?

My Gaming Life… So Far

Josh takes a trip down memory lane to reminisce about some of the key gaming moments in his life so far.

Review: Assassin’s Creed Origins – Curse of the Pharaohs

After 6 months, Ian finally puts Assassin's Creed Origins to rest with its latest expansion.

Review: Bloodborne: The Card Game

Based on the video game, Bloodborne: The Card Game is fun for fans and novices alike.

Review: S**t Happens

Alex reviews an adult party game that imagines all possible bad situations that could happen.

Review: Ready Player One

Diarmuid reviews Ready Player One and enjoys his time in Steven Spielberg's world of pure imagination.

Review: Unlock! Mystery Adventures

Unlock! Mystery Adventures is great fun for an evening's play, with atmospheric gameplay and great artwork.

The X-Files: I Still Want to Believe

In a fake-news, post-Trump world, Ian reflects on 25 years on The X-Files and its enduring relevance.

Review: The American Dream

Diarmuid reviews The American Dream, a VR title created by Samurai Punk that satirises gun culture.

Review: Tomb Raider (2018)

Ian reviews director Roar Uthaug's re-imagining of Lara Croft. A tense movie that packs a punch, Tomb Raider is not just another video game movie.

Review: Annihilation

Alex takes a look at Alex Garland's second film, which bypassed the cinema screen coming straight to Netflix. Her only regret is missing the big screen experience.